Fi magazine had this to say about the KEGON
(stereo-amplifier):
"Against a backdrop of deeper quiet and more
fully articulated pianissimos, musical lines and instrumental contributions stand forth with exceptional clarity. The players in large string choirs are reproduced with a wealth of inner detail With the KEGON, you simply hear more strings in each choir - more of the transient bowing sounds and small variations in intonation that are cues to the numbers of players at play. On large-scale orchestral recordings, where numbers count, the KEGON's abundance of detail adds to the colour and excitement of these colourful and exciting pieces. I got a glimpse of heaven. A product that breaks through to a new level of playback realism".

This ONGAKU has been reviewed by Dick Olsher, Alvin Gold, Jonathan Kettle, Mike Kuller, Lynn Olsen and many others - the only non-perfect aspect of the ONGAKU that any of them could find was that they couldn't afford it! Listen...
"Vocal definition was frighteningly realistic¡Khad me spellbound in disbelief being confronted with the master tape¡KEverything in the performance was exposed" - Jonathan Kettle

THE GAKUON
Ken Kessler, Hi-Fi News and Record Review, May 1993:
"Taken back? Transfixed? Thrilled? Hey, the last time I had Goosebumps this big from music was at a concert, not in front of a hi-fi the lone audiophile who acquires this amplifier in 1993 is one fortunate son of a gun the sweetest, warmest, most holographic amplifier I've ever heard."

CABLES
Dick Olsher writes in 'Fi' magazine, January 1996:
"Sonically, the AN-SPx sets new standards Its voicing is utterly natural. Harmonic textures ebb and flow with lyrical majesty, as if fashioned by Mother Nature herself. AN-SPx conjures mental images of pure silk and velvet ...image outlines are portrayed incisively with exceptional focus and plenty of reach-out-and-touch palpability."